Mona Lisa Overdrive William Gibson 9780553281743 Books

Mona Lisa Overdrive William Gibson 9780553281743 Books
MLO is a bit dense and difficult to follow, especially because its been a while since I read Neuromancer. I wish Gibson's writing style was a bit more accessible. He does not spend much time on explanations, and when they are offered, it may be several chapters later.That said, this book is very inventive and action packed. He cleverly brings lots of story threads together. Stands up well technology-wise even all these years later.
Must read for fans of the genre. Best if you read the prequels, Neuromancer and Count Zero, first.

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Mona Lisa Overdrive William Gibson 9780553281743 Books Reviews
Fabulous book. Third book in the trilogy. This book fits right into my wheel house. Very complicated. A ton of things going on. A number of people to keep track of. Different story lines to follow. People who were introduced in the first couple of books who are now known by a different nickname. I don't know about you, but I love that kind of book if it's well written, and this one is. Vox Day, an SF and fantasy author himself, who has probably read more books than all but a handful of living people, rates the second book in this series among the top five best SF books every written. For my money, this guy and Neal Stephenson go head to head for best ever.
If you have read William Gibson's novels before, I suggest you read them again. It would be presumptuous of me to describe the intricacies of his storyteller. He strikes a chord unlike any other and leaves the reader spellbound. It has been 25 years since this book was first published. I read it then and I loved it. In fact, I have read the entire you Neuromancer series again (of which this is the last book) and have immensely enjoy every one of them. If you haven't read Gibson before, you're in for a treat. If you have read him, then a second look would be well worth your while.
The most interesting thing about William Gibson, The Godfather Of Cyberpunk, is how blessedly, bizarrely attached to protecting the innocents and rewarding his heroes he is. Under all the cybersleaze and drugs and corruption beats a strong ethical center - once you accept that his White Knights are cheerfully amoral hitwomen and ruthless criminals/businessmen, and his innocents are low-level junkie hookers and petty thieves.
In this novel, the third in his openly-SF SPRAWL Trilogy, the lives of female "Simstim" (a kind of cross between VR Programs and music videos) star Angela with an at first confusing relationship to both Voodoo and the "Matrix" (Gibson's version of the Wild West Internet), the aforementioned junkie hooker Mona who bears some resemblance to Angela (and is later given plastic surgery to resemble her closely), a guy in seeming suspended animation attached to a supercomputer (the "Count"), Yakuza Goddaughter Kumiko sent to England to keep her safe during an apparent turf war that becomes a global conflagration, and Super-Buttkicking Hitwoman/"Businesswoman" Sally Shears (who later turns out to be another identity of "Mona Millions" from the classic NEUROMANCER) all end up intertwining with the lives of various down&outers in The Sprawl. A vast, elaborate blackmail/kidnapping plot, with multiple murders to grease the wheels, is bringing them all together - only those who set the plot in motion never planned for the cogs to meet up and/or turn things around in their own ways!
You'll spend at least half the novel utterly confused and gasping for relevance - but in the back half a great deal becomes clearer, even if the ending will leave you somewhat confused by what happened and why, exactly. In that way it's like most of Gibson's work - fascinating and frustrating in equal measure. If you have a taste for what Gibson's cooking, you'll rate this novel higher than I did - if not, you'll wonder WTF I gave it four stars for.
Mona Lisa is a loose continuation of Neuromancer and Count Zero. It most closely associates with Count Zero. While it is not a must that readers read the other two books, it does help to tie the story line in Mona Lisa together. Mona Lisa alone is quite good. The conclusion is a bit fuzzy to me, and that is after two readings of the last 30 pages. Nonetheless it is a 4 star goodie.
If you have never read Gibson, I hardily recommend starting with Neuromancer, continuing then with Count Zero and Mona Lisa Overdrive.
William Gibson's "Mona Lisa Overdrive" is a decent ending to the Sprawl Trilogy he started with Neuromancer. Gibson makes a good attempt at keeping these books separate enough that a reader might be able to read them independently (there's a lot of in-book time between the events in each book, knowledge of returning characters isn't necessary to understand what's going on, and the summaries of previous events are detailed enough to let readers know where things are coming from). But, though it's possible to read the books out of order, I wouldn't recommend it. You'd still miss a lot.
In general, "Mona Lisa Overdrive" reads pretty much like the previous two books a well-written, interesting story with well-done characters and worlds. Even though I rate this book at a Very Good 4 stars out of 5, I'd also say that it's not quite as good as the previous book (which was similarly not quite as good as the original). Probably the biggest issue is that this book's pacing is just a bit off. First, he's running four sets of intertwined plot lines here. So, it takes a while to get things together and rolling. Also, he throws in a bit more of the artsy prose that successful authors seem to want to write instead of meat-and-potatoes stories. For instance, he's got one chapter dedicated to extolling the virtues of the production techniques used in a documentary a character is watching. But, those are fairly minor issues. Overall, it's a very good continuation (and conclusion) of the series.
The books in Gibson's Sprawl Trilogy are
1. Neuromancer
2. Count Zero
3. Mona Lisa Overdrive
MLO is a bit dense and difficult to follow, especially because its been a while since I read Neuromancer. I wish Gibson's writing style was a bit more accessible. He does not spend much time on explanations, and when they are offered, it may be several chapters later.
That said, this book is very inventive and action packed. He cleverly brings lots of story threads together. Stands up well technology-wise even all these years later.
Must read for fans of the genre. Best if you read the prequels, Neuromancer and Count Zero, first.

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